Most impressive was Alexei Tanovitski, a bass who has impressed as Boris Godunov and Ivan the Terrible – his portrait, in Spring, of a husband driven almost to murder by his wife’s infidelity was painful to watch and hear, for the right reasons, his voice dark yet bell-like and clear throughout its whole range”.(Music OMH)

”Spring, an early cantata in which Alexei Tanovitski was the velvety bass soloist…”. (The Guardian)

“Alexei Tanovitski showed the most finesse of tonight’s soloists, his silky Bass voice finely controlled and his performance enjoyably expressive”. (Bachtrack)

Alexei Tanovitski sang mit einer voluminösen und zugleich sensibel geführten Bassstimme das aussagekräftige Werk. In Tschaikowskis Symphonie Pathétique zeichnete das junge in erster Linie die großen musikalischen Gegensätze wirkungsvoll nach. "Kultur"

Kongenial interpretierte der Bassist Alexei Tanovitski die Lieder. Sein opernhafter Duktus bewirkte kraftvolle Überhöhungen. Bewundernswert regulierte er sein Stimmvolumen, so dass die Liedparts überaus nuanciert ausgeleuchtet wurden. Auch das Zusammenspiel mit dem Orchester verstärkte die dichte Atmosphäre. "Kultur"

The raucous highlight was to be found in the shrieking whistles and emphatic bass solo (sung by Alexei Tanovitsky) of Feodor Basmanov's drinking song, before Ivan's triumphant return to a clattering of bells. "Bachtrack"

Xian Zhang had two fine soloists. Bass Alexei Tanovitsky is Russian, and although he had to sit for an hour before his brief contribution, the vim and vinegar in his voice made the wait worthwhile. "London Evening Standard"

"Das Rheingold" In the role of Wotan was the bass Alexei Tanovitsky, who evinced great dignity and vocal control: That is the kind of Wotan we want, always. In Mr. Tanovitsky's arsenal is a strong, almost tenorial top. "The New York Sun"

"Die Walküre" Alexei Tanovitsky, as Wotan, had another good night, possibly even better than the previous one. He sang with both godly regality and fatherly pity (to go with the aforementioned rage). "The New York Sun"

La basse Alexei Tanovitski affiche une splendide voix de bronze qu’il modèle avec un grand art du legato. "Le Temps" Classique Jeudi 6 octobre 2011